Tuesday, November 15, 2016

Jana Jumalon-Alano by Yvette Malahay-Kim

Yvette and Jana at the 2014 VIVA ExCon in Bacolod City
The family is a very important factor that directs an artist’s journey. For some, family encourages them to produce art. But for others, family unfortunately discourages them to continue their art. However, there are also a few unique families that all the members of the family are practicing artists – from the parents, down to all the children. Such is the Jumalon family of Zamboanga City.


Our feature for this week is a member of that family, Jana Jumalon-Alano.

YMK: You were raised by creative parents, you think this has shaped you in becoming one too? How?

JJA: I grew up watching my father paint day in and day out and I can positively say that I was  influenced just by living with artists under the same roof.   Unknown to many, my mother only took up painting upon realizing that all of her children are already into visual arts.  My father encouraged me to experiment with mediums from acrylic to mixed media to found objects turned to art pieces. This has shaped my idea and belief that in art, it is not just putting colors and imageries on a canvas it the constant experimentation that will bring me closer to deeply understand the relation of my current state to my everyday life as a whole.  Everyday is a process and an opportunity to connect with ordinary objects.  I enjoy giving life to something devoid of life or place an object on a pedestal and declare them special.  It’s like a religion, I do art as a means of channeling my gratefulness of my existence and giving it back for the world to see.

YMK: Your siblings are also creative in their own way, was there any artistic rivalry? if there was, how did you manage it?

JJA: In our family, there’s always an open avenue for criticism with each others works and we were trained to take it lightly because only with talking about the works can one grow and improve…although admittedly there are times that art talks get out of hand… just like any other family interventions, walkouts and shouting matches are not unusual. 

YMK: Your spouse is a graphic designer, so he is also artistic and creative. Does this cause any friction in the marriage? Or is it more beneficial? Why?

JJA: We find each other’s career path a gift to one another.  Although Mike can work alone confidently in his field, he welcomes and at times go out of his way to get me involved with hand drawn designs for some logos for his clients.   Equally, whenever I need something that’s computer based needless to say, he just fulfils it.   Our formula is pleasant since he also appreciates visual art in a special level.
Self-portrait, 2013

YMK: What is your primary choice of media in making art? Why?

JJA: Acrylic and Mixed Media with found objects.  I enjoy playing with the palette knife with acrylic paint and the expressionistic effect it brings.  On the other hand, collecting found objects literally from junk shops, on the road, friend’s houses also have a different kind of fulfillment.  Turning unusable things into something and combining objects to harmonize them is a challenge that I’d always love to solve. How an object’s shape, color and texture affect another if placed together then bind them with newspaper pulp and glue is fulfilling. It has a special place in my heart because the process is not ordinary for me, it’s like solving a puzzle and making each part fit to complete a whole new art piece.

YMK: I’ve noticed in your artworks through the years that you like to experiment with different materials. What drives you to do this?

JJA: I like to see effects.  The effect of rusty objects touching a smooth object; the effect of a broken glass inside a cylinder; the effect of a twisted wire bound with ballpens; rugs dipped in glue and mounted on board, etc.  I like to see variety, I’m obsessed with unused things and old objects, the more odd the shape, texture and color are…the better. I like to see the visual tensions they create if placed near each other.  It’s like making my own personal visual diary.

YMK: Can you explain the satisfaction you get in creating a work of art and finishing it?

JJA: If the work speaks to me, then I think I have succeeded. I believe every artist finds satisfaction and fulfillment after finishing a work, not only because they have finished it but because they have purged what cannot be spoken in words.

The artist with her painting
YMK: How do you sustain your art in the midst of the responsibilities of being a wife and a mom?

JJA: For me art is a lifestyle, it is part of my everyday life.   The process continues while I am doing my chores and maternal responsibilities. I don’t see art as a different thing to tackle while living my life; it is like breathing. It’s integrated in being a mother and a wife.  Luckily for me, my husband is very supportive of my artistic endeavors.

YMK: What can we expect from Jana in the near future when it comes to her artworks?

JJA: More experimentations on materials, more courage to tackle massive works.  

                      

Saturday, February 27, 2016

Aziza Espina Daksla by Khail Santia

Aziza and Khail
For our feature this week, we have another digital artist. It is possible to practice both digital and traditional media in the visual arts.

KS: Despite the financial challenges and the demands of a course alien to your talent, you never neglected your art.

AED: If I did, my life would lose its meaning.

Aziza  grew up in humble circumstances and had been gently steered away from art to take a more "practical" path. She persevered in her passion, eventually becoming one of Dumaguete's most admired digital artists with a growing roster of local and international clients to her name.

KS:  In the pre-interview, you told me you were born inside your home in Vallehermoso. How was it like for you growing up?

AED: My mother was an elementary school teacher and my father worked as a driver in Saudi Arabia. During my kindergarten years, we were mostly alone with mother.

KS: Part of what I love about your story is you showed that we can have a dignified livelihood without leaving our families behind by taking advantage of digital technology and the internet. But bring us back to the beginning, why did you choose to pursue art?

T-shirt design
AED: I think I was born to make art. From childhood onwards, I feel happy every time I get to color or draw something new; or when I get recognized for my artsy efforts. This might be trite but nonetheless true, doing art gives me a profound sense of fulfillment.

KS:  You don’t remember struggling to acquire drawing skills?

AED: I started on coloring books. Then copied the characters on “text” cards we played with in school. I also copied manga. I was just having fun with drawing.
            In high school, I got fascinated with Photoshop - the ancient version with the feathers logo. We couldn’t afford a computer. So I would download photoshop tutorials on a diskette through a dial-up connection somewhere, then go to a cousin’s house to try them out. Men, it was a hard life.
           
"Pogi" acrylic on canvas
KS: When did you first receive validation for your art?

AED: I remember two teachers in elementary school. The first, Ma’am Duran, praised me to the whole class for the lettering work I did on our bulletin board. The second, Ma’am Sinco, really liked an artwork I made of a pig.

KS: After high school, you went to Marawi City. How did that come about?

AED: There were two of us in the family who needed to go to college by that time. We went to Mindanao State University in Marawi because the tuition in Dumaguete was too expensive. In MSU, we only had to pay 100 pesos each per semester. We stayed with relatives on our father’s side.

"Tingin" acrylic on canvas
KS:  You said you had no choice in MSU but to take up software engineering, a course heavy in programming, when you are very visual by nature. How did you keep yourself together?

AED: I did not waver in nurturing my art. I accepted small commissions. I joined art contests. And I was active in the school’s art club.
            
I was lucky to have a best friend who was gung ho about our studies. She was our magna cum laude. Under her influence, I finished cum laude but barely. It was pure hard work for me.

KS: After college, how were you able to build a career as a digital artist?

Poster design
AED: I wasn’t really aware that you could have a serious career as a digital artist until I began job hunting in Cebu and saw many openings for graphic arts and web design. I tidied my portfolio then put it up in DeviantArt.com. The work just came in from there. I got accepted as a Senior Web Developer and  Graphic Artist in Cebu. After that, I returned to Dumaguete to put up a t-shirt business.

At present, I am a virtual staffer for a web design company based in New Zealand. Local commissions continue to come in. I did the graphics work for the Belltower Project. The same and some stage set painting for Ampalaya the Musical.

KS: Please describe your creative process.

AED: I start with a free sketch. Then things would begin to flow. When I run out of ideas, I look at existing art. I always listen to music when I work.
Arkitektura T-shirt design

KS: What fuels your work?

AED: Knowing that I still have a long way to go keeps me motivated to work and improve everyday.

KS: Tell us about a project you’re currently working on.

AED: I am currently doing the art for Belltower Kwatro. I am still stuck at the moment and it is a struggle. What I like about Belltower is they leave it up to me to dream up the art for the project. And of course, I like to help in promoting local music.

KS:  What can you say to aspiring digital artists who want to follow in your footsteps?

AED: Don’t stop drawing. Don’t be afraid to put your work out there.


See more of Aziza’s art at:
behance.net/zingzang